Of course, I appreciate any kind of comment about my music, but when it comes to questions of style, I don’t care what other people think. My music is my music. If you want to hear something else, there’s a huge selection available.
The music I produce is what I want to hear and what I want to share with the world. Fun, joy, rhythm, energy, and imagination.
I always recommend that people who listen to my music sit or lie down, put on headphones, close their eyes, and let themselves fall into my world of music.
Forget the world outside, no matter how bad it may be sometimes! 

As a SoundCloud member and follower, you’ll be the first to hear my music in full and in high quality – weeks before it’s released worldwide.

Discography

The Space Between

Decenber 1st, 2026

Until Tomorrow

2027

In Your Eyes

2027

2020 - 2024

Gain experience

From 2020 to 2024, I worked hard on producing my own songs. It wasn’t just about getting music onto the computer, but also about getting to know the apps I am working with.

Many of my first songs were nice, but hardly suitable for release. I released some of the old songs anyway.

Among them:
-Da Da Da
-Ghost On The Beach
-Agent One

They are meant to show how I and my music have changed.

While I initially worked mainly on instrumental songs, now almost all of my songs have vocals.
My biggest wish is to hear my music on the radio one day. In terms of quality, they are definitely good enough. But as an independent producer, I unfortunately lack the connections and opportunities.
But I’m not giving up that easily and I’m still hoping. You can support me by asking for my songs on the radio.

Producing a new song is a lot of work.

It all starts with an idea. I usually start with the rhythm, the beats, and the bass. Then I add the basic melodies and incorporate various instruments.
The vocals have to fit, and the mood of the song has to be perfectly staged.

Once the song is finished, the second phase begins. After a long break, I listen to it again, as this is usually when I discover areas that need improvement.

Then phase 3 begins: mastering the song. The volume, the drums, the vocals. Everything has to be just right and come together as a complete work of art. This also requires a lot of effort and time.

Phase 4 is the design. A song can be good, but it also needs a cover. I do that myself, too.

Only when everything is done I send the song to my distributor, who checks it and—hopefully—sends it to all the streaming services I want. I specify a date and then I have to wait until it is released.

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